SHUTTER SPEED
Painting With Light
APERTURE
1.To photograph in a shallow depth of field, I set the F-stop to 5.6 so that I could focus on a single point rather than the whole.
2.With the shallow depth of field I did not need as much light as I would for a large depth of field so I set ISO to 1600 while my white balances was set for direct sunlight.
3.One of my images that show large depth of field is my photo of the stacked tea cups. In this photo the Iris is as small as I could get it so I could focus on the whole of the objects.
4.For my Large depth of field photos I set my camera’s F-stop as large as it could go. This was 35.2.
5.Because the iris is opened up so little when capturing in large depth of field I needed a lot of light. I set my ISO to 3200 to allow as much light in as possible. I did not need to adjust my white balance because I was still Photographing in the same stop with the same light so it was set to direct sunlight.
6.I believe the best photo I took was the shallow depth of field of the train where the train is pointed toward the bottom left corner of the photo. I believe that this photo best represents aperture because the word “train” is in focus in the front along with some of the details but the back is completely blurry.
7.You would want to use shallow depth of field when you want to focus on a particular thing instead of the whole. Shallow depth of field allows you to capture incredible details in the focus area and then a blurry haiz in the unfocused part.
8.Large depth of field would be best for shooting large groups where the photographer would want everything or everyone in focus. For example, if one wanted to take a class photo you would use large depth of field to focus on everyone.
2.With the shallow depth of field I did not need as much light as I would for a large depth of field so I set ISO to 1600 while my white balances was set for direct sunlight.
3.One of my images that show large depth of field is my photo of the stacked tea cups. In this photo the Iris is as small as I could get it so I could focus on the whole of the objects.
4.For my Large depth of field photos I set my camera’s F-stop as large as it could go. This was 35.2.
5.Because the iris is opened up so little when capturing in large depth of field I needed a lot of light. I set my ISO to 3200 to allow as much light in as possible. I did not need to adjust my white balance because I was still Photographing in the same stop with the same light so it was set to direct sunlight.
6.I believe the best photo I took was the shallow depth of field of the train where the train is pointed toward the bottom left corner of the photo. I believe that this photo best represents aperture because the word “train” is in focus in the front along with some of the details but the back is completely blurry.
7.You would want to use shallow depth of field when you want to focus on a particular thing instead of the whole. Shallow depth of field allows you to capture incredible details in the focus area and then a blurry haiz in the unfocused part.
8.Large depth of field would be best for shooting large groups where the photographer would want everything or everyone in focus. For example, if one wanted to take a class photo you would use large depth of field to focus on everyone.